Basic Lens Model Theory

 

People are complicated, but frameworks are comparatively simple. This is not a theory about people, this is a theory about the lenses they use to see the world with. I’m not yet describing specific frameworks, I’m essentially describing a meta-framework that can be used to describe lower-level frameworks, like a template that can be applied to a particular person’s collection of beliefs in order to classify their framework(s). In this meta-framework, each framework (including this one!) can be thought of as a particular lens. We’ll be measuring lenses along three axes and providing some categories that different lenses can fall into based on this.

The first axis is the axis of aperture width or the Sheet vs Ribbon axis. A very wide aperture lens (a sheet) will be all-encompassing and be applied to everything, whereas a narrow (ribbon) aperture lens will be more specific and only apply to certain contexts or domains. The usual term for a person who prefers one sheet lens is a hedgehog, whereas the term for a person who prefers many ribbon lenses is usually referred to as a fox.

The second axis is the axis of opacity or the Glass vs Amber Axis. A glass lens attempts to construct as transparent and invisible a view of the world as is possible. To change metaphors back to Plato’s Cave, an ideal glass lens has polished the cave surface to a mirror shine, allowing the clearest view of what is casting the shadows. An amber lens optimizes for something other this reflective quality, be it interestingness, comfort, happiness, or meaning, the amber lens subtracts and replaces parts of the light coming in, modifying the field of view in certain ways. Creating an imaginary friend and being able to render an image of them into your field of view is an amber lens hack. All lenses possess some imperfections and no lenses are perfectly transparent, but the poles tend to cluster around whether or not transparency is being optimized for.

The third axis is the axis of Hardness or the Crystal vs Cloud axis. A crystal lens is hard, in the sense of it being taken seriously, believed in strongly, and defended vigorously. A crystal is stiff, solid, unyielding. A cloud is, conversely, none of those things. The hard sciences are crystal beliefs, but so are the major religions in most cases. As you move away from Crystal and towards Cloud, the lens begins to take on a playful, unserious quality. It basically tracks whether a particular framework is strongly or weakly held and defended, whether it tries to justify itself in some way or not.

This shakes out to eight potential lens types, which we’ll be going into more detail about later. I’ll be editing this post with links to extended descriptions of each lens type as I complete them, including a few example lenses for each type to give an idea of what sort of varience there might be within a particular category, and stepping down from the abstract into the more specific as we go along.

 

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A Castle Made of Castles

This is a story about the nature of stories. It’s a description of the framework I use for understanding other frameworks and the world at large. Like all frameworks it’s fake, but it’s been immensely useful to me for a long time, and so I thought it was about time I codified the information therein. I refer to this framework as Metamancy.

We begin, like all ontologies, with a description of reality, which we’ll be referring to as the Seed Code. The Seed Code is the most fundamental part of a given framework, it gives rise to more specific and detailed descriptions of a particular reality, and acts as a ground layer for all understanding. It’s not quite axiomatic because you can always add yet another layer of recursion, but there’s only so much you can do with more recursion and eventually, somewhere, you have to decide on a seed.

The Seed Code to the Metamancy framework cleaves reality into two worlds.

The first world is the world of Matter, the physical material structure of the universe. The things that things are made of. What you actually get when you take the universe and grind it into the finest powder and sieve it through the finest sieve. Energy, particles, fields, quantum wave functions, subatomic forces of immense power bound and contained bouncing mindlessly and endlessly against one another for no reason in a constantly evolving deterministic universe. A universe of mathematics and physics and logic, the hard cold neutral world where nothing has meaning and all value is an illusion we have created to blind ourselves to the boiling atomic truth that is our nature. It is impossible to truly know with 100% certainty, the nature of the world of matter. You might be able to be 99.9999999999% certain, but you might always be a brain in a very well constructed vat. This is okay. Science lets us approach certainty as our knowledge of the world of matter goes to infinity, but we are forced to experience the world of matter through our faulty senses, so it’s always possible that we’re being deceived, presented with an incomplete picture of reality, or are just plain wrong about what the world of matter actually looks like on a fundamental level. Indeed the description I gave of the world of matter glazes lightly over the surface of a massive amount of complicated math and science that is trying to describe phenomenon increasingly disconnected from our day to day experience of reality. The world of Matter is what casts the shadow on the wall of Plato’s Cave.

The second world is the world of Stories, the descriptions and interpretations we create of our experiences of the world of matter. The world of Stories is where we get language, fiction, narrative, identity, meaning, purpose, and imagination, the world of stories is the world Information, of data and memes and tropes. The ecosystem of interacting ideas in the constantly growing pool that is the sum of all information humanity has created. The world of Stories is our description and interpretation of the shadows on the wall of Plato’s Cave. Any description of the world of matter is going to by necessity itself be a product of the world of stories. The story of how the earth was created by God, the story of how the Earth formed out of an accretion of matter in the early solar system, and causal description of A -> B -> C that is not a logical necessity is a part of the world of stories.

Metamancy by and large concerns itself with the world of Stories, but the place where the two worlds intersect is also a very important place to study and understand. A structure like a suspension bridge, for example, began its existence in the world of Stories, and then was passed back and forth between the world of stories and the world of matter in order to refine the construction methods and ensure the vision from the world of stories would actually hold up in the world of matter, before finally being dropped out of the world of stories and downloaded into the world of matter, becoming a part of the physical structure of the world.

As humans, we are beings of matter, and yet everything about us is actually made of stories. Identities are made of stories and narratives, and we interpret the world by telling ourselves stories about our natures and the nature of the world. The particular set of stories we live in is our Framework. One of the frameworks we might use to describe reality is through Metamancy, which says the world is split into matter and stories, thus our framework describes itself inside of itself at the highest levels of recursion, and the loop returns to its starting point.

The way a given person’s framework interacts with reality and allows them to modify their worlds is their Magic. Under this framework, Elon Musk is a powerful mage, one of such strength and skill that he could even throw his car into space by downloading a massive launch vehicle into the world of matter.

We’ll be breaking down these individual pieces later, but this is the basic construction of metamancy, it is the Seed code on which the rest of our metamancy framework will be built.